both sides with two modern and complementary tracks.

ltd remix series for the legendary acid track by phuture. second part comes with remixes by carl cox, luciano, anfisa letyago, lorenzo cheng and najel monteiro

aphelion on bliq with remix support from silicon scally (aka carl finlow).

2019 repress - echoes of this summer’s ‘shango’ still shimmer through systems as detroit’s waajeed continues to make good on his promise: to “put paint where it ain’t.” after years of soul, funk and hip-hop explorations as a founding member of the platinum pied pipers (among many other innovative escapades) and, most recently, a soulful remix of amp fiddler on kenny dixon’s mahogany music, waajeed is building on the fresh line of house grooves he commenced this summer. his first pedigree dancefloor tracks in almost 20 years, he taps directly into the source and builds with his own soulful bricks. it’s working, too, dj-wise he’s playing alongside moodyman, mr. scruff and carl craig this fall, while ‘shango’ has enjoyed heavyweight support by the black madonna, carl craig, jackmaster, gilles peterson and many notable selectors.

smashing 2x 12 inch remix package

fresh electro by carl finlow

greetings and welcome from axces. we re a small local copenhagen community of friends and curious souls. this is our very first record. alfredo92 and kasper marrot run the label, and they ve produced two tracks with help from our good friends carl emil and lauge. the record was created in 2017 at the professional facilities we ve come to know as nordvest auto. on both tracks, you ll hear a lot of drums, some bass, effects, samples, vocals and sounds from beyond, we don t know how to describe. they ve been tested on various sound systems during the past year, and we can ensure you that a flat eq and max volume will suit the tracks almost anywhere. we really hope you enjoy our effort. if you should ever find yourself in copenhagen axces will provide counselling and guidance at own risk.

limited black vinyl edition with poster and download code included.

limited black vinyl edition with vibrator, poster and download code included.

underwater jams from edward for dfa. for fans of ricardo villalobos, carl craig, terekke, klaus schulze, tangerine dream ...

claptone and carl cox remix ..! dj support: black madonna, jamie jones, fatboy slim, annie mac, pete tong, danny howard

** 2019 reissue ** lcd + pcp is a massive collaboration for this release: carl craigs label planet e is set and ready to rerelease one of the tunes produced as paperclip people, throw. the a-side on this 12 vinyl features a cover of the song by james murphy and his merry band of music makers, better known as lcd soundsystem. lcd soundsystem has been using its cover of throw in live sets for some time. guest of the 2005 lcd live performance at the el rey theater received a shocking surprise. while the band was closing out the night with an extended version of yeah. somewhere around the eight or nine minute mark, bassist tyler pope began jammin on the famous groove from throw. the crowd watched in shock and awe as the band slowly, one-by-one, joined in, morphing yeah into throw seamlessly. by the time james murphy grabbed the mic and declared in full falsetto i wanna see your haaaaaaaaaaand! everyone basically unloaded on themselves. truly a classic act for a classic track! this release will be the first time the lcd studio rendition has ever been made available on wax

limited edition coloured vinyl ep from purple disco machines best selling soulmatic lp featuring remixes from david penn, mousse t, carl cox, & superlover.

new york native david berrie makes a welcome return to the hot creations fold this april. the latest recruit to join as a resident for jamie jones’ paradise night in ibiza, berrie gifts us with three heavy hitting tracks, sure to set dance floors alight across the globe. airplane to madrid opens the ep with its steady groove and funk elements, underpinned by a tribal drum and old school vocal hook that culminate in a jazz influenced breakdown. on talkin’ bout, berrie utilises a fast-paced beat and bouncy, ghetto-house style vocals that lead into another intriguing breakdown. closing the ep, the bassline of acid souls gurgles beneath the female vocal building to an insatiable drop before plummeting back into the heady bass. raised in the musical melting pot of new york, david berrie draws influence from a variety of genres to create his signature style. he’s released on a number of prominent labels including cuttin’ headz, play it say it and hot creations. last year’s collaboration with jamie jones broke into the top 5 in the beatport charts and his music has been supported by some of the industry’s biggest names such as carl cox, marco carola, the martinez brothers and seth troxler. 2019 is set to be a big one for berrie, with a residency for paradise at dc10 and fresh music due to be released.

mat playford brings his ethereal, techno soundscape to carl cox and christopher coe’s awesome soundwave imprint. taken from his forthcoming album on the label, playford invites detroit dons octave one to provide the remix.

21 vinyls plus t-shirt... comes in a wooden handcrafted box...

strong electro compilation on 2 12 inch vinyl.. incl. carl finlow!

emerging producer patrick conway delivers the goods on the second ep to be released on art e-fax. e-fax002 is a selection of submerged breaks, dark and spectral bass grooves and washed out melodies all combining to make release that is as eerie as it is infectious. a producer who describes his influences as being -transcendental meditation, uk rave, sheffield bleep/warp records, carl craig circa the early 90s, silent servant, shabba ranks and joss sticks smoking out the studio-, it s not hard to hear the shadowy, dense smoke and heavy calm that unifies those inspirations.

supported by: kaiserdisco, chris liebing, marcel dettmann, alex karakakis, drumcomplex, carl craig, marco bailey, joseph capriati, steve mulder, ilario alicante, slam, franco bianco, ame, paula temple, randomer, subjected, 2000 and one, paco osuna, angy kore, dj emerson, gel abril, dj whebba, slomi aber, spiros kaoumenos, diego alvarado, luigi madonna, charlotte de witte, derek plaslaiko, arnaud rebotini.

incl. remixes by luca agnelli and red axes! support by carl cox, adam beyer, dubfire, nicole moudaber, skream, amelie lens

incl .roland, carl watson , charles vernon on, love dream, fancy and more

classic of 1991 produced by john beltran and mark wilson! unmistakable detroit house sound of that period, all completed with a great carl craig remix ...another future classic on flash forward!

ltd coloured vinyl, classic of 1991 produced by john beltran and mark wilson! unmistakable detroit house sound of that period, all completed with a great carl craig remix ...another future classic on flash forward!

new years deal - dresden s lockertmatik starts his engines for the first time on shtum and delivers a string of tracks that seem to come from a not so far away dystopian future. here are four tracks that are unpretentious but elaborate, effective but not overambitious. -break the chains- sets the bars in terms of dark techno bliss for both basements and bigger dancefloors. on -message from the underdog- lockertmatik shows off his knack for acidic perfection while -jaku- gets the jazz treatment. finally, -313 - 0351- is all about building tension without losing one bit of impact on the dancefloor. the artwork comes courtesy of carl-johannes schulze.

the remarkable second album, “indigo”, from singer and pianist kandace springs is a 13-track lp of originals and choice covers that showcases the full breadth of kandace’s artistry from smoldering r&b (“piece of me”) to gorgeous jazz ballads (“unsophisticated” featuring roy hargrove) to the pop songcraft of “breakdown” and “don’t need the real thing,” the album’s lead single which is out today. all but two tracks are produced by drummer/producer karriem riggins (common, erykah badu) with additional production by jamie hartman (rag n bone man), jimmy hogarth (amy winehouse, corinne bailey rae), jimmy harry (madonna, p!nk) and evan rogers and carl sturken (rihanna).

classic norken/delsin ep from 2000 repressed. original release text: lee norris became known with his releases as metamatics, through the now defunct clear-label and is running his label neo ouija nowadays. this ep hosts four tracks continuing the style of his previous norken releases. four tracks consisting of very soulful sounds and smooth melodies together with more forward beats or more sophisticated break beats. best to be compared with music from artists like by john beltran, carl craig and his own metamatics of course. beautiful things!

m/n is a wide range of colorful electronic music taking their influences from uk 90s ambient/electronica period. in shadows of labels like gpr, new electronica (italia), irdial discs. find old and less known artists like derek carr, carl finlow, simon crab. united in a 2x12inch compilation ltd to 200 copies.

italian producer piero pirupa’s musical cv is nothing short of impressive. so it’s no surprise that his next production has found a home on damian lazarus’ crosstown rebels, enlisting the vocal talents of new york’s mr.v. influenced by the sounds of 80s and 90s chicago, pirupa worked tirelessly on this ep to reach a version he was happy with. after seeing the reaction from dancefloors around the world, he decided to send it to carl cox and damian lazarus. we must be (the piano track) breathes new life into today’s dance music with a message from a bygone era. it harks back to the golden age of house music with its lush piano topline and positive message sung by mr.v. happiness simply emanates from this production. with lyrics such as “we must be all in this together, we must live to respect one another” and “this is the plan to make us unified” it takes clubbing back to a time when everyone came together on the dancefloor regardless of race, gender, sexual orientation or religion.

planet e are proud to present aw18 collection, a 3 track ep from british producer tom flynn. drawing upon a broad and learned musical understanding, aw18 collection fuses disparate strands from the worlds of fashion, club culture and sound design to forge a highly atmospheric, singular release. packard, the title of which is inspired by parties in the historic detroit power plant of the same name, establishes an unrelenting energy from the get go. a bouncing kick lays the foundations for rolling synths, unnerving vocal samples and delicate piano refrains to wander. anna is an indulgent nod to the catwalk, marching with intent amidst immersive chords and subtle melodies. the b side hosts a trippy cut full of interplanetary glitches and melancholic harmonies. drawing upon hints to the extraterrestrial, marx creates a dizzying swirl with glistening textures. carl craig was sold straight away: when tom sent me his demo of packard i knew i wanted to release it on planet e. the mix of looped electronics with soul of the piano brought me back to when i first heard the post-disco classic beyond the clouds. i can imagine the kids on the scene rockin hard to this.

you may remember the closing of space, ibiza with carl cox when he played a bootleg of total confusion. barry obzee hobbs (rising high a&r) spent a lot of time trying to locate the remixer and finally did a few months ago. we have now signed the remix which will be released on vinyl in may and on digital in july. the story goes like this: carl cox has been playing the version at most of his shows including tomorrow land, kappa future fest and timewarp ( see video clip below) but this is where the story becomes more interesting. the remixer, rod malmok from rotterdam aka benny rodriguez, who is a very established dj producer playing for loco dice in ibiza etc and releasing on ben klock s imprint klockwork, chris liebings imprint clr, adam beyers imprint drumcode and many more was inspired to remix the track through a conversation with dubfire, rod gave him a rough copy the following day. he played it to carl cox at space, ibiza and cox begged him for a copy - see video below if you ve been around the scene for a while you will know that rising high records was one of the first labels to shape techno, hardcore and breakbeat in the uk and was huge!

reinier zonneveld s filth on acid label comes ready with a first ever album only 18 months after launching. in that time it has released music from big names like carl cox, gabriel ananda, bart skils, pig&dan, emmanuel top, coyu and many more, and this standout full length comes from mees salomé. it explores melodic and immersive techno, is entitled big thoughts like elephants and has 12 tracks that really journey into many different moods and grooves and the whole thing plays out with a real sense of musicianship that leaves an indelible mark.

girls of the internets deep-house-dub-techno-afro ballad: when u go is now being pressed up to vinyl on ramp recordings. since its release, when u go has been burning up some of the more discerning dancefloors worldwide, with club support from djs as diverse as mark farina, stacey pullen, eli escobar, oliver $, françois k, soul clap, roger sanchez, carl craig, booker t, serverino, riva star, doc martin, karizma, marco carola, tensnake & mousse t. peckhams finest pervayers of deep house, bradley zero approved duo fyi chris, turn in an exclusive dubby west coast-vibed remix of the track available only on this vinyl. the b side is a brand new track from girls of the internet - running featuring nattlie maddix, of the house gospel choir. mixing live instruments with synths and drum machines, running is a soulful yet driving disco tinged deep house track. to finish off this massive package, local actions finn delivers a genre-straddling remix of running.

for the first in a series of reinterpretations of material from linkwood s superb expressions album, firecracker recordings has turned to chicago deep house veterans ghosts of the sky (aka perpetual rhythms chicagodeep and taelue), and fast-rising machine abusers nummer. the latter dive into an aquatic techno tip, turning the becalmed and melancholic love lost into a techno-tempo stroll through vintage carl craig chords, sweaty machine percussion, and yearning melodies. theres a warmer and heavier, if surprisingly stripped back, feel to ghosts of the sky s version of object, with spluttering electronics and sumptuous chords stretching out over a rich synth bassline and hissing, cymbal-heavy groove.

remastered reissue of whitneys recording originally released on tape cassette in 1983. produced and engineered by walter whitney from april 1982 to august 1983 at subterranean sound studios, accompanied by carl weingarten and david udell s guitar magic sounds.

derek s music instantly takes the listener on a midnight drive, cruising the grand river avenue through detroit. derek carr s ability to create soulful melodies that effortlessly wrap themselves around bouncy basslines and elegant beats is not only classy – it s classical. derek carr is not from the detroit though.. he s an irishman through and through, born and bred in westmeath, about 3400 miles from the state of michigan. yet he absolutely nails it! after two decades of crafting his own sound with analogue synths and samplers with the music culture of motor city as an inspiration, derek carr doesn t sound like anyone else. all the archetypical detroit sounds are there – from the robotic bleeps in binary systems to the moody strings of metro city – but derek carr uses them to create a primarily club oriented vibe, uplifting and positive.

the artwork for this album is made by abdul haqq, the legendary visual artist responsible for a great number of classic covers for artists and labels such as juan atkins, derrick may, transmat, drexciya, carl craig, planet e and underground resistance...

from playing acid house at the legendary haçienda to residencies at a number of the world’s super clubs and a grammy nomination, sasha s career trajectory is pretty much unparalleled. his contribution to electronic music in the 90s is synonymous with the rise of progressive house. as a producer, his vast discography includes a number of studio albums, remixes for madonna and the chemical brothers and soundtracks for computer games, whilst a long list of acclaimed mixes are heralded by many as some of the greatest of all time. as well as his work as a highly visible public figure, he has an extensive history of mentoring other artists behind the scenes, running his own management agency and a studio in new york whilst introducing a wealth of acclaimed artists via his last night on earth imprint. here, across 4 plates of vinyl, all but 4 of the 20 tracks on sasha s fabric 99 mix are available in their full-length glory. featuring his own exclusive track smoke monk (fabric mix), his moog-apella edit of george fitzgerald s echo forgets, and his fabric1999 remix of baile - amae feat. felicia douglass.

tatu metsätähti and tatu peltonen formed their electro duo mr velcro fastener in the small town of turku, finland back in 1995. in 1999, after a couple of twelve inches, they released their first full length album ‘lucky bastards living up north’ on i220, which was well noted (not only for its hyper colourful cover art by the designers republic). the album took the duo touring in europe and overseas, and led to further releases on labels like stars-music, ali b’s air recordings, solina records, cyber dance and of course billy nasty’s electrix, as well as remixes for the likes of hardfloor, marco carola, dk8, transparent sound and aux88. returning to electrix with their third full ep for the label (and a gap of 13 years!) they have delivered their own unique and recognizable electro sound with two new cuts. ‘a monster in two worlds’ with its electro-funk sound, classic vocoded vocals and grinding groove is a perfect opener, while ‘bakteriofag’ (bacteriophage in english) like its name, creeps up like a virus, infecting the senses with its crisp and shining melody. additionally, there’s remixes of ‘a monster in two worlds’ from silicon scally (carl finlow in his electro guise) and m-twelve (the new moniker recently launched by billy nasty and surface’s nick dunton) to complete the line-up.

reissue of balearic gem spanglish movement from little known band hot pepper! originally released as a private pressing in 1978 and featuring famous drummer jesus munoz tilico, a giant musician who appeared on countless recordings and accompanied famous figures like paul mauriat and carl tjader among many others. four superb long tracks including the cosmic underground club classic ritual song. hot pepper was a studio project created by mexican drummer / producer /arranger jesus munoz tilico who in the late 70s decided to record an album in a disco-funk vein, helped by some of his friends who were top session musicians. “spanglish movement” was the result, written and produced by “tilico”, released in 1978 as a tiny private edition housed in a fabulous afro cover. being tilico an enormous drummer, you can expect here lots of heavy drums, congas and percussion, surrounded by crazy space synths, male-female vocals, latin horns, afro touches and occasional fuzz guitar.

5 vinyle in einem pizzakarton!

with new track warschauerstrasse , claudio ricci has created an expansive seven minute workout of twisted synths and deep house drums. the first remix comes from long time techno heavyweight timo maas and the prolific and inventive basti grub. their singular remix speeds up the original and layers in fluttering toms and percussive sounds as well as broad, groaning synths and the distant sound of a bustling city at rush hour. sudam label boss and ibiza based artist kintar flips the track into something spacious and haunting. eerie keys and sweeping synths keep you on edge as the rubbery techno groove rolls on into the night. bulgarian based metodi hristov loves to experiment and has a distinctive techno style that gains support from the likes of richie hawtin, carl cox and adam beyer. in his hands the track becomes a peak time tech banger.

for the fourth installation on boogie box records, appleblim links up with the middle east crew to deliver one of two eps planned for 2018. first up. two original tracks by the bristolian artist, vurstep and dream wisdom. signature appleblim crossover sound, floating between bass, d&b, electronica and house influences, with early carl craig/psyche/bfc and 4 hero watching over. on the b side, vurstep gets a rework by shed and forest drive west. always on point, shed does what he does best. a grooving old school flavored bass and breakbeats remix. followed by forest drive west s stripped down, mind humping, feet tapping basement flavor.

richard searling’s music & memories from wigan casino 1973-1981 - the soundtrack to the book “setting the record straight”.

vintage canadian house from 1997. limited supply!

vintage canadian house from 1997. limited supply!

originally released back in 1992 on a very limited pressing from velvet city records. color of music was the little side project from carl bias (master c & j)

dubbed by igloo magazine as the -romanian detroit electro/techno pioneer- and by the late aaron carl as -the romanian underground resistance himself-, andrew red hand from romania s spiritual capital of lasi stands up as an unwavering militant of the underground, a true detroit spirit possessed as romanian humanoid! from his early gigs throwing parties as one of the first generation djs in lasi since 1997, arh continues to break boundaries as part of the romanian resistance scene and numerous time portals as they open around europe. his blistering, mind-bending sets such as at berlin s tresor and griessmuehle see the dj with the red hand fuse pure detroit electro and techno with the sounds of techno-bass, raw chicago acid house, classics and futuristic beats. his mixes for radio ur (underground resistance) and the grid (detroit techno militia) remain some of the best frequency transmissions to surface to air. armed with a soviet union reel to reel majak 203, his scorching raw analogue and searing acid productions have been picked up by foundational detroit labels such as twilight 76, matrix, detroit underground, databass, detroit techno militia, cratesavers intl, visillusion as well as around the world from holland s iconic m>o>s recordings to 1Ø pills mate (lobster theremin), bass agenda and land of dance. on his remix list includes work for scan 7, santonio echois, thomas barnett, sean deason, niko marks, six foe, t.linder and more while support from anthony shake shakir, dj bone, dave clarke, dj godfather has been garnered for our sonic warrior... beware of the red hand!

bugs is aus label owner will sauls first solo ep in over 4 years and follows his inaugural release on new aus compilation series, inside out. heres will on the a side. bugs is inspired as much by dancing at plastic people/co-op to the bugz in the attic as is it is by carl craigs innerzone orchestra track bugs in the bass bin. hopefully i bring my own twist to these key influences. the map room tumbles with big, swinging drums as a fervid sense of tension burns throughout before matt karmill takes bugs off on a linear dubbed out excursion to complete the package.

dieser grandiose lp-sampler ist dem legendären northern soul-label okeh records gewidmet, das zwischen 1963-70 mit a&r manager carl davis und songschreiber curtis mayfield seine glanzzeit erlebte. 16 massive tunes und wenig bekannte raritäten von titus turner über jolly boy shepard bis jean dushon, von denen viele zum ersten mal wieder aufgelegt werden, darunter das damals unveröffentlichte “ocean of tears” von big maybelle.